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Erin Toale
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Exhibitions & Programs
Erin Toale
Words
Exhibitions & Programs
Buildings
Quilts
Contact
2022
We keep us safe: At Gallery 400, Chicago artists and collectives explore forms of care.
Modeling vulnerability: Fatimah Asghar’s debut novel explores how grief impacts a family.
Healing Compositions: Audio Artist Kikù Hibino Pairs Memory With Sound
The Things We Carry: A Review of Flattened Flora at Roots & Culture
Breakout Artists 2022: Chicago’s Next Generation of Image Makers (Maryam Faridani)
The best laid schemes of mice and men / Often go awry: On Kushala Vora for Bird Show
Earthly Delights: A Review of Dan Gunn at Monique Meloche Gallery
2021
Reviewing Romanticism to Ruin: Two Lost Works of Sullivan and Wright
Gregory Bae In Memoriam: A Blueprint for an Artistic Life
What is Graphic Recording? For Kiyomi Negi-Tran, Service Art That Soars
Breakout Artists 2021: Chicago’s Next Generation of Image Makers
(Max Guy)
A Respite From The Waking Nightmare: A Review of Western Exhibitions Drawing Biennial
2018
Exhibition Essay: The Art of Being Dangerous
Breakout Artists 2018: Chicago's Next Generation of Image Makers (Melissa Leandro)
The Bloom of the Present Moment, Chicago Works: Paul Heyer
2017
Breakout Artists 2017: Chicago’s Next Generation of Image Makers
(Paul Heyer)
2016
Breakout Artists 2016: Chicago’s Next Generation of Image Makers
(Myra Greene)
Ten questions from Erin Toale for Ethan Rose regarding his exhibition
"
Slant"
Exhibition Essay: Daniel Bruttig's Singles, Duets and Sets
2015
Don’t Call Us An Art Museum: Pitchfork at the MCA
Review: Cosmosis/Hyde Park Art Center
Breakout Artists 2015: Chicago’s Next Generation of Image Makers
(Jessica Campbell)
Review: Eric Ruschman/Circa Modern
The Bomber’s Life: Steppenwolf’s “This Is Modern Art” Looks at the Graffiti Artist
Review: DOGS CHASE BALLS/Carrie Secrist Gallery
Eye Exam: The Freakiest Show
2014
EXPO Dispatches: Stick to the Perimeter
EXPO Dispatches: Your Fair Survival Guide and Must-See Itinerary
Art 50 2014: Chicago’s Artists’ Artists
(Michelle Grabner, Chris Ware, William Pope.L, Lou Mallozzi)
Portrait of a Gallery: Comfort Station
Review: We do what we like and we like what we do/Western Exhibitions
Review: Murmurs/Regards
Review: Unbound: Contemporary Art After Frida Kahlo/Museum of Contemporary Art
Architecture Shake-Up: How Los Angeles Got Loose